{"id":2335,"date":"2016-11-04T12:48:00","date_gmt":"2016-11-04T12:48:00","guid":{"rendered":"http:\/\/www.monitor-bk.cz\/?p=2335"},"modified":"2016-11-11T05:24:03","modified_gmt":"2016-11-11T05:24:03","slug":"na-kave-s-radimem-kolarem","status":"publish","type":"post","link":"https:\/\/www.monitor-bk.cz\/?p=2335","title":{"rendered":"Na k\u00e1v\u011b s Radimem Kol\u00e1\u0159em"},"content":{"rendered":"

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Bylo mi ct\u00ed setkat se s v\u0161estrann\u00fdm blanensk\u00fdm um\u011blcem Radimem Kol\u00e1\u0159em, \u010das na k\u00e1v\u011b ub\u011bhl velmi p\u0159\u00edjemn\u011b. Povypr\u00e1v\u011bl mi o sv\u00e9 muzikantsk\u00e9 kari\u00e9\u0159e i o sou\u010dasn\u00fdch aktivit\u00e1ch. Tento v\u00fdjime\u010dn\u00fd, a z\u00e1rove\u0148 velmi skromn\u00fd \u010dlov\u011bk nyn\u00ed vystavuje v Galerii Blansko. Je otcem zn\u00e1m\u00e9ho biketrialisty Va\u0161ka Kol\u00e1\u0159e.\u00a0<\/strong><\/p>\n

Jak jste se dostal k hudb\u011b?<\/strong> V \u0161edes\u00e1t\u00fdch letech jsem tr\u00e1pil m\u00edstn\u00ed pedagogy \ud83d\ude42 Nejd\u0159\u00edv jsem chodil na kytaru k panu u\u010diteli Hlav\u00e1\u010dkovi ze Sloupu, pozd\u011bji jsem se u\u010dil i na klav\u00edr. Mezit\u00edm jsem v\u0161ak zji\u0161\u0165oval, \u017ee m\u011b sp\u00ed\u0161 bav\u00ed zvuk, kter\u00fd nen\u00ed \u00fapln\u011b p\u0159esn\u011b identifikovateln\u00fd. Kdy\u017e se do n\u011b\u010deho \u0165ukne, tak vlastn\u011b v\u0161echno je n\u011bjak\u00fd hudebn\u00ed n\u00e1stroj. Do\u0161el jsem k z\u00e1v\u011bru, \u017ee bic\u00ed maj\u00ed ve skute\u010dnosti podstatn\u011b \u0161ir\u0161\u00ed mo\u017enosti, a\u010dkoliv to na prvn\u00ed pohled nevypad\u00e1.<\/p>\n

V\u011bt\u0161ina kluk\u016f s bic\u00edmi za\u010d\u00edn\u00e1 u maminky v kuchyni. Byl to i v\u00e1\u0161 p\u0159\u00edpad? <\/strong> Vzpom\u00edn\u00e1m si, jak jsem \u201epot\u011b\u0161il\u201c maminku, kdy\u017e jsem j\u00ed vyt\u00e1hl dortov\u00e9 formy. M\u00edsto dna jsem do nich napnul r\u016fzn\u00e9 de\u010dky a krom\u011b toho, \u017ee pek\u00e1\u010de docela hezky vypadaly, dalo se doc\u00edlit r\u016fzn\u00fdch zvuk\u016f. Bylo to nejprve vlastn\u011b v\u0161ude \u0161patn\u011b. Kdy\u017e jsem s\u00e1hl na hudebn\u00ed n\u00e1stroj, m\u00edsto toho, abych n\u011bkoho pot\u011b\u0161il, to sp\u00ed\u0161 vyvol\u00e1valo opa\u010dn\u00fd efekt. Pak jsme kolem \u010dtrn\u00e1cti patn\u00e1cti let za\u010dali s chlapci p\u0159em\u00fd\u0161let, jak by to hr\u00e1lo dohromady. V patn\u00e1cti jsem se za\u010dal u\u010dit na bubny, kter\u00e9 m\u011b postupem \u010dasu uchv\u00e1tily. Hr\u00e1l jsem i p\u011bt hodin denn\u011b. Pak jsem zjistil, \u017ee m\u011b n\u011bjak neuspokojuj\u00ed tane\u010dn\u00ed z\u00e1bavy a \u010d\u00edm d\u00e1l v\u00edc m\u011b p\u0159itahoval m\u00edrn\u011b experiment\u00e1ln\u00ed styl. Asi v osmn\u00e1cti jsem se p\u0159ihl\u00e1sil k profesoru Pasekovi do Brna a pak jsem se tam dostal na konzervato\u0159, kde jsem m\u011bl mo\u017enost zahr\u00e1t si i na n\u00e1stroje Brn\u011bnsk\u00e9 filharmonie.<\/p>\n

A po konzervato\u0159i? <\/strong> P\u0159es rok jsem hr\u00e1l v Olomouck\u00e9 filharmonii, s n\u00ed\u017e jsem podnikl \u00fa\u017easn\u00fd z\u00e1jezd do \u0158ecka, kde jsme m\u011bli mo\u017enost doprov\u00e1zet legend\u00e1rn\u00edho bale\u0165\u00e1ka Rudolfa Nurejeva, co\u017e je v baletn\u00edm sv\u011bt\u011b takov\u00e1 legenda, asi jako ve filmu Charlie Chaplin. Bylo to tenkr\u00e1t setk\u00e1n\u00ed v\u00fdchodn\u00ed se z\u00e1padn\u00ed kulturou. Byl tam z\u00e1rove\u0148 festival soudob\u00e9 hudby, na n\u011bm\u017e jsem poprv\u00e9 usly\u0161el jin\u00fd p\u0159\u00edstup ke zvuku. V roce 1982 jsem nastoupil do \u010cesk\u00e9ho rozhlasu Brno jako muzikant, kde jsem p\u016fsobil deset let. Brn\u011bnsk\u00fd orchestr denn\u011b nat\u00e1\u010del a z\u00edskal jsem tam nov\u00e9 zku\u0161enosti. Byla to asi nejlep\u0161\u00ed praxe, jakou jsem mohl m\u00edt \u2013 po boku \u0161pi\u010dkov\u00fdch hr\u00e1\u010d\u016f, re\u017eis\u00e9r\u016f i zvuka\u0159\u016f. Docela jsem si toho pova\u017eoval. Krom\u011b nahr\u00e1v\u00e1n\u00ed se d\u011blaly jednou za m\u011bs\u00edc i ve\u0159ejn\u00e9 nahr\u00e1vky r\u016fzn\u00e9ho typu, doprov\u00e1zeli se tam zp\u011bv\u00e1ci a podobn\u011b.<\/p>\n

Pro\u010d jste tam skon\u010dil? <\/strong> V devades\u00e1t\u00e9m t\u0159et\u00edm roce jsme byli rozpu\u0161t\u011bni, st\u00e1tn\u00ed orchestr se ru\u0161il. Museli jsme si hledat pr\u00e1ci, ale jeliko\u017e se ru\u0161ilo podobn\u00fdch orchestr\u016f v\u00edce (pos\u00e1dkov\u00e9, policejn\u00ed\u2026), bylo mnoho lid\u00ed nar\u00e1z bez pr\u00e1ce. M\u00edsta v hudebn\u00edch \u0161kol\u00e1ch byla v moment\u011b obsazen\u00e1 a v t\u0159iadevades\u00e1tem u\u017e nebylo, kde se uplatnit.<\/p>\n

Tak jste zam\u00ed\u0159il do zahrani\u010d\u00ed\u2026? <\/strong> Byla to v podstat\u011b jedin\u00e1 mo\u017enost. S partou muzikant\u016f jsme jezdili p\u00e1r let do Norska. Odjeli jsme t\u0159eba na dva nebo t\u0159i m\u011bs\u00edce, vlastn\u00edmi auty. Tehdy jsem m\u011bl \u0161kodovku stodvac\u00edtku, vyskl\u00e1dali jsme zadn\u00ed sedadla aparaturou a jelo se.<\/p>\n

Vzpom\u00edn\u00e1te na n\u011bjakou zvl\u00e1\u0161tn\u00ed p\u0159\u00edhodu? <\/strong> Vzpom\u00edn\u00e1m na jeden \u201ekatastrofick\u00fd\u201c v\u00fdjezd. V N\u011bmecku mi kleklo na d\u00e1lnici auto, p\u0159eh\u0159\u00e1lo se v kolon\u011b, museli m\u011b odt\u00e1hnout. V Hamburgu v opravn\u011b si nakonec na\u0161t\u011bst\u00ed dalo \u0159\u00edct a pokra\u010dovali jsme v cest\u011b. P\u0159i naj\u00ed\u017ed\u011bn\u00ed na lo\u010f jsem urazil v\u00fdfuk. Auto d\u011blalo stra\u0161n\u00fd r\u00e1mus, tak\u017ee n\u00e1s neminula policejn\u00ed kontrola, p\u0159i n\u00ed\u017e policist\u00e9 na\u0161li na\u0161e prac\u00ed pr\u00e1\u0161ky, kter\u00e9 jsme si vozili s sebou, a mysleli si, \u017ee jsou to drogy. Potom jsme nechali v\u00fdfuk za n\u011bjakou \u0161\u00edlenou \u010d\u00e1stku zava\u0159it. Po p\u0159\u00edjezdu na m\u00edsto jsem volal dom\u016f a zjistil jsem, \u017ee n\u00e1m zkolaboval kotel. P\u0159i\u0161la na m\u011b nespavost \u2013 \u010dtrn\u00e1ct dn\u00ed v tahu jsem nespal a musel jsem si nechat poslat z domova pr\u00e1\u0161ky na span\u00ed. Kolegu pokousal pes, pozd\u011bji se mu ke v\u0161emu zato\u010dila hlava, spadl a byl cel\u00fd potlu\u010den\u00fd. Tak to byla takov\u00e1 na\u0161e katastrofick\u00e1 kapela \ud83d\ude42 Krom\u011b Norska jsme hr\u00e1vali taky v N\u011bmecku, Rakousku, ve \u0160v\u00fdcarsku. D\u00e1le na z\u00e1mo\u0159sk\u00fdch v\u00fdletn\u00edch lod\u00edch, kter\u00e9 jezdily kolem sv\u011bta.<\/p>\n

Co rodina, kdy\u017e jste nebyl po\u0159\u00e1d doma? <\/strong> S rodinou by m\u011b sice cestov\u00e1n\u00ed hrozn\u011b bavilo, kdyby jezdili se mnou, ale cel\u00e1 rodina by se neu\u017eivila. D\u011bti pak rostou mnohem rychleji, kdy\u017e je vid\u00edte po p\u016fl roce\u2026 Z rodinn\u00e9ho hlediska to bylo n\u00e1ro\u010dn\u00e9, ale jinak to ne\u0161lo.<\/p>\n

Nelitujete toho? <\/strong> S t\u00edm u\u017e nic nenad\u011bl\u00e1m. D\u011bti se na\u0161t\u011bst\u00ed povedly a dnes si z toho d\u011bl\u00e1m legraci, \u017ee je to mo\u017en\u00e1 proto, \u017ee jsem nebyl doma.<\/p>\n

Co v\u00e1\u0161 syn Va\u0161ek? Nem\u00e1te o n\u011bj strach p\u0159i jeho riskantn\u00edch j\u00edzd\u00e1ch na kole? <\/strong> Sna\u017e\u00edm se na to nemyslet. Ale na z\u00e1vody u\u017e s n\u00edm rad\u011bji moc nejezd\u00edm, proto\u017ee jsem nerv\u00f3zn\u00ed za n\u011bj, aby to zvl\u00e1dl, aby vyhr\u00e1l. Nejrad\u011bji bych ho s\u00e1m popostrkoval. Nechci na n\u011bj p\u0159en\u00e1\u0161et svou nervozitu. Jsem na n\u011bj py\u0161n\u00fd, d\u011bl\u00e1 mi radost. Ale i dcera mi d\u011bl\u00e1 radost, jsem spokojen\u00fd. Oba maj\u00ed takov\u00fd cestovatelsk\u00fd \u017eivot. Dcera pracuje v Praze a v It\u00e1lii, Va\u0161ek tak\u00e9 jezd\u00ed po sv\u011bt\u011b. Ty kluky obdivuji, co v\u0161echno se nau\u010dili na kolech. Na m\u00edstech, kde j\u00e1 u\u017e trp\u00edm z\u00e1vrat\u011bmi, oni se pohybuj\u00ed jakoby nic. \u010c\u00edm d\u00e1l s v\u011bt\u0161\u00ed pokorou k nim vzhl\u00ed\u017e\u00edm.<\/p>\n

Jak\u00fd je v\u00e1\u0161 pohled na sou\u010dasnou hudbu? Co je to vlastn\u011b dobr\u00e1 hudba? Je poslucha\u010dsk\u00fd z\u00e1jem o r\u016fznou experiment\u00e1ln\u00ed tvorbu? <\/strong> Sou\u010dasn\u00e1 hudba popul\u00e1rn\u00ed a v\u0161echny jej\u00ed stylov\u00e9 mainstreamov\u00e9 odno\u017ee (country, rock, metal, pop apod.) vych\u00e1zej\u00ed z toho, co lid\u00e9 maj\u00ed r\u00e1di a cht\u011bj\u00ed sly\u0161et\u2026 Na tom nen\u00ed nic \u0161patn\u011b, proto\u017ee kdyby to zbo\u017e\u00ed necht\u011bli, nekupovali by je. Jin\u00fdmi slovy, lid\u00e9 v tomto sv\u011bt\u011b hudby cht\u011bj\u00ed sly\u0161et jen to, co u\u017e vlastn\u011b znaj\u00ed. Sou\u010dasn\u00e1 hudba v\u00e1\u017en\u00e1 naopak hled\u00e1 nov\u00e9 zp\u016fsoby vyjad\u0159ov\u00e1n\u00ed, bez ohledu na \u0161irokou ve\u0159ejnost. Ve\u0159ejnost je m\u00edrn\u011b neinformovan\u00e1 a m\u00e1 obavy z nejistoty a objevov\u00e1n\u00ed. Term\u00edn \u201epsychoakustick\u00e9 jevy\u201c si mimo jin\u00e9 v\u0161\u00edm\u00e1 toho, \u017ee prvn\u00ed dojem je ur\u010duj\u00edc\u00ed pro n\u00e1sleduj\u00edc\u00ed vn\u00edm\u00e1n\u00ed; a strach z jinakosti vyvol\u00e1v\u00e1 ned\u016fv\u011bru nejen v hudb\u011b. P\u0159edsudky jsou b\u011b\u017en\u00e9 v hudebn\u00edm i \u201enorm\u00e1ln\u00edm\u201c \u017eivot\u011b. Hudba je svoboda a je na poslucha\u010di kolik svobody je ochoten k sob\u011b pustit. Hudba v\u00e1\u017en\u00e1, a\u0165 star\u00e1 st\u0159edov\u011bk\u00e1, nebo z dvac\u00e1t\u00e9ho stolet\u00ed, se hraje a je to dob\u0159e. Je i dost festival\u016f. Rozveselilo m\u011b ned\u00e1vno \u010dten\u00ed dopis\u016f, kdy\u017e na jednom slovensk\u00e9m rozhlase d\u00e1vali mimo hlavn\u00ed vys\u00edlac\u00ed \u010das novou hudbu. N\u011bkte\u0159\u00ed poslucha\u010di byli pobou\u0159eni, jin\u00ed se c\u00edtili ura\u017eeni a n\u011bkte\u0159\u00ed se domn\u00edvali, \u017ee maj\u00ed poruchu v p\u0159ij\u00edma\u010di \ud83d\ude42 N\u011bkter\u00e1 hudba m\u00e1 publikum \u0161ir\u0161\u00ed, jin\u00e1 sp\u00ed\u0161e exkluzivn\u00ed\u2026<\/p>\n

\u010cemu se v\u011bnujete nyn\u00ed? <\/strong> Do dvan\u00e1ct\u00e9ho \u00fanora je mo\u017eno v blanensk\u00e9 galerii shl\u00e9dnout v\u00fdstavu s n\u00e1zvem ArtBio, na n\u00ed\u017e jsou k vid\u011bn\u00ed obrazy a objekty, kter\u00e9 jsou vytv\u00e1\u0159eny z pou\u017eit\u00fdch materi\u00e1l\u016f a v\u011bc\u00ed, jejich\u017e p\u016fvodn\u00ed \u00fa\u010del byl jin\u00fd. M\u00e1m tam jeden ro\u017eek \u2013 fotky ze smeti\u0161t\u011b. Pak tam b\u011b\u017e\u00ed na pl\u00e1tn\u011b film, kter\u00fd jsme vytvo\u0159ili ve spolupr\u00e1ci s Popelkov\u00fdmi. Kdy\u017e jsem p\u0159em\u00fd\u0161lel, jak by to Blansko m\u011blo zn\u00edt, \u0159\u00edkal jsem si, \u017ee ur\u010dit\u011b \u017eelezem. Proto jsme vybrali r\u016fzn\u00e9 metalofonn\u00ed n\u00e1stroje, \u017eelezn\u00e9 sochy a dal\u0161\u00ed p\u0159edm\u011bty, na kter\u00e9 v prom\u00edtan\u00e9m videu hraji.<\/p>\n

Co je hlavn\u00ed my\u0161lenkou v\u00fdstavy?<\/strong> Filozofie v\u00fdstavy je takov\u00e1, \u017ee v\u011bc s p\u0159ib\u00fdvaj\u00edc\u00edm v\u011bkem m\u016f\u017ee z\u00edsk\u00e1vat na kr\u00e1se a st\u00e1rnut\u00ed jako proces m\u016f\u017ee tu v\u011bc dotv\u00e1\u0159et, m\u011bnit, p\u0159\u00edpadn\u011b ji zu\u0161lech\u0165ovat. Pro m\u011b je smeti\u0161t\u011b docela zaj\u00edmav\u00e1 v\u011bc, proto\u017ee v\u0161echno, co vytv\u00e1\u0159\u00edme, je budouc\u00ed odpad. Ka\u017ed\u00fd odpad m\u00e1 r\u016fzn\u00fd polo\u010das rozpadu a d\u00e1 se to vzt\u00e1hnout p\u0159enesen\u011b i na um\u011bn\u00ed a na muziku. N\u011bkter\u00e1 hudba se d\u00e1 poslouchat po letech je\u0161t\u011b te\u010f a n\u011bkter\u00e1 u\u017e sto let byla hrozn\u00e1. A kdy\u017e je polo\u010das rozpadu dlouh\u00fd, znamen\u00e1 to, \u017ee d\u00edlo je dobr\u00e9, ale na druhou stranu, kdy\u017e je krat\u0161\u00ed, m\u00e1 tu v\u00fdhodu, \u017ee je d\u00edlko d\u0159\u00edve recyklovateln\u00e9. Smeti\u0161t\u011b samo o sob\u011b m\u00e1 takovou estetiku, \u017ee lidi, co na n\u011b ty v\u011bci vyhazuj\u00ed, d\u00e1vaj\u00ed je tam v n\u011bjak\u00fdch rovin\u00e1ch, aby se to ve\u0161lo. \u0158\u00edk\u00e1 se tomu skl\u00e1dka, co\u017e nen\u00ed daleko od slova skladba. Tak\u017ee smeti\u0161t\u011b je sv\u00fdm zp\u016fsobem kompozice. A jak je h\u0159bitov posv\u00e1tn\u00fdm m\u00edstem \u2013 nekropol\u00ed lid\u00ed, smeti\u0161t\u011b je nekropol\u00ed hmoty. I ta hmota je po ur\u010ditou dobu u\u017eite\u010dn\u00e1, pak doslou\u017e\u00ed a nikdo ji nepot\u0159ebuje, pak sp\u00ed\u0161e p\u0159ek\u00e1\u017e\u00ed, proto se poh\u0159b\u00ed na smeti\u0161t\u011b. Ale z toho smeti\u0161t\u011b se j\u00ed m\u016f\u017ee n\u011bjak\u00fdm recykla\u010dn\u00edm procesem d\u00e1t dal\u0161\u00ed u\u017eitek.<\/p>\n

A pl\u00e1ny do budoucna? <\/strong> J\u00e1 u\u017e rad\u0161i nic nepl\u00e1nuji, proto\u017ee mn\u011b se v\u017edycky v\u0161echno vymkne z ruky. Kdy\u017e si n\u011bco napl\u00e1nuji \u2013 nic se nezda\u0159\u00ed podle pl\u00e1nu. Tak to n\u011bjak m\u00e1m.<\/p>\n

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